ࡱ>  /$bjbjWW .055/  SSSSSggggg>>>>>>>>A>>>>9<𓑄%Bg4": 9>>0>:<<ES<LO>O>X>E :  For Immediate Release Contact: Leslie Weddell (719) 389-6038  HYPERLINK "mailto:Leslie.Weddell@ColoradoCollege.edu" Leslie.Weddell@ColoradoCollege.edu SOUNDS OF BOWED PIANO ENSEMBLE TO FADE AS DIRECTOR STEPHEN SCOTT RETIRES AFTER 37 YEARS Scott founded experimental music group in basement of Packard Hall COLORADO SPRINGS, Colo. March 17, 2014 As a young composer in the early 1970s, Stephen Scott was searching for his own voice, aspiring to differentiate himself from the mid-century modernist music that dominated the academic world. In going outside the box, he went, literally, into the depths of the grand piano. Scott founded the pioneering Bowed Piano Ensemble 37 years ago, in part a result of his immersion in and admiration of the bold discoveries and inventions by musical minimalists of the time. The ensemble is an elite group of 10 musicians students, faculty and staff who explore the leading edge of performance with sounds made directly on the strings of a grand piano using mallets, fishing line, plastic tape and guitar picks. And on March 30, the last strains from the innards of the piano will fade away as the Bowed Piano Ensemble gives its final performance, heralding Scotts retirement from ϳԹ. Three events during the weekend of March 29-30 will showcase Scotts unique contributions to music, with the two concerts presenting familiar and obscure worksmany of which may be heard live for the final time. Says Scott, The Bowed Piano Ensemble has become my voice, the sound world I revel in, the heaven in my ears, to quote composer Tom Ross. Stephen Scott Retrospective Schedule: Stephen Scott Retrospective: Symposium Session 3 p.m., Saturday, March 29 The symposium features talks by alumni of the Bowed Piano Ensemble currently working as academic musicologists around the country. They will provide insights into much of the music that will be performed in the two weekend concerts that follow, and commentary from music critics, composers, scholars and alumni unable to attend will be shared. Packard Hall, 5 W. Cache La Poudre St., free Concert: The Music of Stephen Scott: A Retrospective 7:30 p.m., Saturday, March 29 Saturdays concert features a work by Scott for solo piano as well as for voice, featuring soprano Victoria Hansen,as well as a full performance of Vikings of the Sunrise, considered by many to be Scotts magnum opus. Packard Hall, 5 W. Cache La Poudre St., free Concert: The Music of Stephen Scott: A Retrospective 2 p.m., Sunday, March 30 Sundays concert features atwo bowed-piano ensemble work titled Double Variations, with one ensemble (10 musicians) comprised entirely of ensemble alumni. The work also features soprano Victoria Hansen.Additionally, works for bowed piano by former students of Scott also will be included. The festivities conclude with aperformanceof Terry RileysIn C,a collaborative and interactive work currently celebrating its 50thanniversary. This final piece has long received annualperformances at the college as a part of Scotts music course offerings and its performance here brings together a large group of alumni performers that have been influenced and inspired by Scotts tenure with the college. Packard Hall, 5 W. Cache La Poudre St., free Scott, who has a B.A. from the University of Oregon and an M.A. in music composition from Brown University, started at ϳԹ in 1969. The following year he received a grant for two months travel and study of African music. Those two months further opened my eyes to a world of diverse music cultures, particularly complex rhythms foreign to Western classical music, Scott said. He met composer Steve Reich in Ghana, where they had both gone to study polyrhythmic drumming. The repetitive modal melodies, strong pulse and quasi-ritualistic performance strategies were a breath of fresh air after the stifling, airless serialist conformity then taught like gospel in graduate schools, Scott said. Another important influence was Curtis Curtis Smith, a Michigan composer who discovered a simple way of creating sustained tones from an ordinary piano by drawing rosined nylon fish-line under the strings. Scott experimented with the bow, also devising another type of bow to create crisp staccato tones and rhythmic passages. In 1972 Scott established ϳԹϒs first (and only, so far) New Music Ensemble, a student group dedicated to the study, performance and touring of the experimental music of the 1950s, 60s and 70s, by American, European and Asian composers. By the late 70s, he was still active in teaching, composing and performing electronic music, but as the techniques and tools migrated from analog devices to digital devices, his compositional interests also migrated wholesale from the electronic wing of experimental music to the acoustic wing. And so the first-ever Bowed Piano Ensemble was launched at ϳԹ in 1977, merging with the five-year-old touring New Music Ensemble. The first composition for the Bowed Piano Ensemble, Scotts Music for Bowed Strings, premiered in Colorado, New Mexico and Texas that spring. In 1980, Scotts composition Arcs won a new chamber music award from the Rockefeller Foundation and New England Conservatory. The piece was performed in Boston and at Carnegie Recital Hall in New York; however, the after-concert celebration at Carnegie was muted by news that John Lennon had been shot a few blocks away. In 1983, a photo of the ensemble performing in Packard Hall appeared in Life magazine, and the national exposure led to an appearance on the TV show Believe It or Not, where the ensemble appeared in a musical oddities episode. Since its beginnings in the basement of ϳԹϒs Packard Hall, the ensemble has gone on to tour in venues in around the world, including nine tours in Western and Central Europe, three in Australia, one in New Zealand, as well as Bermuda and the Canary Islands. Several tours have included professional international music festivals, such as the Canberra International Music Festival, Brisbane Nova Musica Festival, Berliner Festspiele, ppIANISSIMO Festival in Sophia, Bulgaria, Nuud Festival Tallin, Estonia, Musica Visual, Canary Islands, Music without Borders Perugia, Italy, and the Spoleto Festival USA, in Charleston, S.C. The ensemble also has released six commercial CDs, two with soprano Hansen, all still available: New Music for Bowed Piano (1984) re-released 1999) New Albion 107 Minervas Web/The Tears of Niobe (1990) New Albion 026 Vikings of the Sunrise: (1996) New Albion 084 Paisajes Audibles/Audible Landscapes (2004) Albany 649 The Deep Spaces (2006) New Albion 132 Ice and Fire (2013) Navona 5937 About ϳԹ ϳԹ is a nationally prominent, four-year liberal arts college that was founded in Colorado Springs in 1874. The college operates on the innovative Block Plan, in which its approximately 2,000 undergraduate students study one course at a time in intensive 3-week segments. The college also offers a master of arts in teaching degree. 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